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INSTRUCTIONAL FILMS (MOVIES) HIST 103 Videos and DVDs accessed by the KNIGHT LIBRARY are NOW KEPT IN THE RESERVE-BOOK ROOM. You may take them to viewing stations in the reading room next to the check-out counter of the Reserve-book Room. Time spent on these movies should be counted as part of the nine-hours-per-week expectation.
Some Thoughts on the Historical Significant of Films We sometimes seek too simple an answer to the question, "Is this (or that) film historically accurate". Usually not. Most historical films fall very short of the standards of contemporary historical scholarship. However, that does not mean films have no use to the historian. "Literature" or "fiction" can be "historical" in content or "spirit". Accuracy is not the only historical virtue. Remember the definition of "history". Most historical films fall short of the measure implied by the word "truth". But, can we speak of "accuracy" or even "truth" in connection with "significance"? Are Shakespeare tragedies "accurate"? If not, do they have any historical significance for the playgoer who wants to understand more about history? Here is one thought to help navigate these problems. Remember the distinction between primary and secondary sources. Movies that take historical events as their topic are "secondary sources" with respect to the topic. They may be judged as we would judge any secondary source. However, films are also "primary sources" with respect to the culture and mentality of the time in which they are filmed and watched. Primary sources must be judged very differently than secondary.
Here is a list of films that you (perhaps with fellow classmates or any friends) might want to see (to view thoughtfully):
HIST 103 or 303
All Quiet on the Western Front
HIST 245 *--Two movies illustrate some of the similarities and differences in the revolutionary Soviet and depression-era US views on the "land" and the "salt of the earth"the agriculturists who work the land, those who produce the food. Click on this SAC entry to locate these movies
HIST 345: "Andrei Rublev" and "Boris Godunov" by Andrei
Tarkovskii HIST 346 AGONIIA [Agony] (110m) D:Klimov,Elem S:Lungin,Semen & Nusinov,Ilya P:Kalashnikov,Leonid M:Shnitke,Alfred (conductor, Eri Klas) C:Petrenko,Aleksei Romashin,Anatolii Line,Velta Freindlikh,Alise. The controversy over Rasputin's influence on the tsar is portrayed through a combination of modern drama and historical film footage BATTLESHIP POTEMKIN (VT2607) D:Sergei Eisenstein 73m 1925 BED AND SOFA (VT133) Abram Room 75m 1926 CHEKHOV AND THE MOSCOW ART THEATRE CHELOVEK S KINO-APPARATOM (vt132) D. Vertov 66m 1929 CLOSE TO EDEN | go URGA Cold War [videorecording] / a Jeremy Isaacs production for Turner Original Productions, Inc DERSU UZALA D:Akira Kurasawa 124m 1976. The film is set in 1902-1910, in the Ussuri and Amur River basin administered by the Russian Empire out of the city Khabarovsk. The film raises significant intellectual or "spiritual" issues about humans in nature, a philosophical "environmentalism", but it also touches on the question of intercultural relations. The surveying crew is Russian. The hunter Dersu is Nanai (he names his tribe by the older name "Goldi"). With Dersu as their guide, the surveying crew is saved in an Udege hut from starvation and, perhaps, being frozen to death. The film was made in a time of tension between the Chinese People's Republic and the USSR. We meet three different representatives of the Chinese = a tragic old hermit, a vigilante band, defenders of law and order in the Ussuri region, and a gang of bandits which the vigilantes pursue after they rape and pillage a local settlement. The film was a joint Russian-Japanese project, and the famous Japanese film maker, Akira Kurosawa, directed. One critic wrote, "Dersu Uzala is an allegory for the environmental toll of civilization, a testament to a profound, enduring friendship, and a heartbreaking portrait of aging and obsolescence" The film lasts just over two hours, and that's fine, but time might force you to stop and rewind before the film ends. In this case, I recommend you watch for about an hour and twenty or, better, an hour and forty minutes. The last 20 minutes portray the difficulties of an aging noble-savage (Dersu) trying to live in the city Khabarovsk, returning to the wilds after all, and perishing there. DISCOVERING RUSSIAN FOLK MUSIC (VT1534) 22m 1975 [cf. FOLKLORE] This is a very authentic feeling presentation by a UCLA fold music group, though not all performances presented here are by musicologists. Look for UO's own music professor Mark Levy. The first ten minutes or so establish the ties between the music of the Russian village and the elaborate, polyphonic liturgy of the Russian Orthodox Church END OF ST. PETERSBURG (VT147) 85M 1927 FOLKLORE AND LEGEND [four historical Russian films. One of a ten volume video
anthology produced by Gosfilmofond, Milestone Film & Video and the British Film
Institute] VT2564 (40m) [cf. DISCOVERING & cf. RUSSIAN] KONETS SANKT-PETERBURGA (VT147) V. I. Pudovkin 85m 1927 KRASOTA SPASET MIR (Beauty will save the world) (VT2178) 56m 1992 MOTHER [MAT’] (VT690) D:Pudovkin [after Maxim Gorky] 80m 1980 NEST OF GENTRY (VT282) D:A. Mikhalkov [after Ivan Turgenev story] 109m 1969 OBLOMOV (VT232) D:Mikhalkov [after Goncharov novel] 145m 1980 OKNO V PARIZH (VT232) OKTIABR Sergei Eisenstein 100m 1927| It is said that more died making the film of the October Revolution than were killed in the actual event PETER THE FIRST (VT480) D:Vladimir Petrov [after Alexei Tolstoy novel]. 203m 1937-1939 POLAND: 100 YEARS…. [history to 1572] () 50m PROSHCHANIE (160m) Based on Valentin Rasputin's nostalgic, biting story about life in the Siberian countryside under conditions of Soviet "modernization" RUSSIA: CZAR [sic!] TO LENIN 16mm film. (30m) 1966 b/w. This is an amazing collection of original film footage from 1896 into the earliest days of Soviet power RUSSIAN [Ukrainian, Central Asian (Uzbek), Siberian (Omsk) & Moldavian] FOLK SONG & DANCE 70m 1980. This video represents Soviet-style hokum, reflecting what happens when authentic folk creativity is kidnapped by power elites, much as when Lawrence Welke's orchestra does Polkas or the Norman Luboff Choir sings "Ole Man ribba". Watch the Omsk choir and try to imagine an actual remote village. About mid point in the tape, however, a not-half-bad historical account is given of the origins in the 1910s of the Piatnitskii folk ensemble. Here we can enjoy some decent simulations of peasant wedding ceremony STACHKA [the strike] VHS 66m 1924. Silent movie Writer and
director Sergei Eisenstein’s debut film in six parts; chronicles a
pre-revolutionary strike among factory workers and the owner’s retaliation with
the help of mounted police. This film was made in the famous
Petrograd Putilov Factory and its barracks-like workers quarters STORM OVER ASIA TIKHII DON (And Quiet Flows the Don)| D:Gerasimov,Sergei (240m) Based on Mikhail Sholokhov's historical novel about the effect of World War One and the 1917 revolutions on a Don cossack community; a portrait of a rural community caught up in cataclysmic events, 1913-1918 UNFINISHED PIECE FOR PLAYER PIANO D:Nikita Mikhalkov [after Anton Chekhov] (115m). What can I say? This is a fabulously touching account of daily-life experiences of a seemingly impotent intelligentsia elite on the eve of revolution WARD SIX (VT1079) D:Pintilie,Lucian [after Chekhov] 93m 1976 ZEMLIA (VT136) Aleksandr Dovzhenko 88m 1929-30 HIST 347 & other Soviet/Post-Soviet topics BALLADA O SOLDATE ENTUZIAZM Dziga Vertov FROM TSAR TO STALIN (VT363) 93m [nd] GENERAL LINE (VT134) Sergei Eisenstein 70m 1929 URGA (Close to Eden) (109m) 1991. I had never seen a Mongol shepherd butcher a sheep before I saw this film. The theme is culture clash: Russian truck driver and Mongol family interact against the haunting beauty of the Mongol highlands
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