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Music for Nonmajors
Courses | Ensembles | Private Lessons
COURSES
The School of Music and Dance offers a variety of opportunities for nonmajors
to be involved in music courses and performance ensembles. See
course listings for details. The following courses, which are open
to students who have not had musical instruction, satisfy some
of the university's general-education requirements. Those with
an asterisk (*) satisfy either Arts and Letters or Multicultural
requirements.
- Understanding Music (MUS 125)*
This course will familiarize the student with many aspects of
music, including the elements of music, historical style periods
of Western Art music, the development of jazz and popular music.
- Music Industry (MUS 199)
Offered through the Community Education Program as a comprehensive
review of the music industry. Publishing, licensing, rights,
management, copyright, promotion, marketing, music for TV and
film, starting up, record labels and contracts.
- History of Rock Music (MUS 264, 265)*
Evolution of rock emphasizing musical style and social context.
264: roots of rock through the British Invasion (1950-1970).
265: psychedelic rock to early rap music (1965-present).
- History of the Blues (MUS 270)*
Traces blues music from its African and African American roots
through its 20th-century history and its influence on the values
of jazz, rhythm and blues, and country music.
- Styles in History (HUM 300)
This course is designed as an interdisciplinary approach to Western
European art forms from the early Middle Ages to the end of the
Baroque era. It focuses mainly on music and the visual arts and
philosophy within their historical context to illustrate developments
in style.
- History of Jazz (MUJ 350)*
Jazz History 1900-1950. Covers styles and musicians from Early
Jazz and Swing through Modern Jazz (Bebop and Cool Jazz). Major
figures covered include Louis Armstrong, Duke Ellington, Charlie
Parker, Dizzy Gillespie and Miles Davis. Issues of history, biography,
multiculturalism and racism. No prerequisite. No musical training
required.
- History of Jazz (MUJ 351)*
Jazz History 1940-Present. Covers styles and musicians from Modern
Jazz, Bebop, Cool Jazz and Hard Bop to the present. Major figures
covered include Dizzy Gillespie, Charlie Parker, Miles Davis,
John Coltrane, and Ornette Coleman. Issues of history, biography,
multiculturalism and racism. No prerequisite. No musical training
required.
- The Music of Bach and Handel (MUS 351)*
Compositions by Bach and Handel such as organ chorales, cantatas,
oratorios, operas, and masses; cultural context in Germany, France,
Italy, and England for the development of their styles.
- Survey of Opera (MUS 353)*
Introduces great operas including works by Mozart, Wagner, and
Verdi.
- Beethoven (MUS 355)*
Life and works of Beethoven considered in the context of the
tumultuous events of postrevolutionary Europe. Works include
piano sonatas, symphonies, and quartets.
- Innovative Jazz Musicians (MUS 356)*
Covers one or two innovative and influential jazz musicians per
term. Examines issues of history, biography, multiculturalism,
racism, and critical reception.
- Celtic Music (MUS 357)*
Explores music and culture of Ireland, Scotland, Wales, and Brittany.
History, culture, and both modern and old performance styles
studied.
- Music in World Cultures (MUS 358)*
African, East European, and Indonesian musics in sociocultural
context. Emphasis on listening skills, relationships between
music and culture, aesthetics, styles, genres, music structures
and forms, and participatory music making.
- Music of the Americas (MUS 359)*
African American, Asian American, Latin American, and Native
American musics in sociocultural context of the Americas. Emphasis
on listening skills, relationships between music and cultures,
and music structures and forms.
- Film: Drama, Photography, Music (MUS 380)*
Understanding the manner in which drama, photography, and music
combine to form the whole through extensive viewing and analysis. Film
Certificate
- Digital Audio & Sound Design (MUS 447)
Examines concepts of digital audio representation, sampling, and processing; considers audio mixing, basic synthesis, and sound modification techniques and fundamentals of electroacoustic composition.
- Introduction to Ethnomusicology (MUS 451)*
Study of world musics in their social and cultural contexts.
Emphasis on comparing the varied approaches, ideas, and methods
of selected American and European researchers since 1980.
- Musical Instruments of the World (MUS 452)*
Examines instruments of the world in their cultural contexts.
Covers cross-cultural issues and focuses on particular geographic
areas. Includes films, recordings, live demonstrations.
- Folk Music of the Balkans (MUS 453)*
Forms and styles of folk musics and dances in their cultural
contexts in southeastern Europe: Albania, Bosnia, Bulgaria, Croatia,
Greece, Macedonia, Romania, Serbia.
- Music of India (MUS 454)*
Classical music traditions of North and South India with some
discussion of dance, rural folk music, and popular film music;
participatory music making and demonstrations by visiting artists.
- Music and Gender (MUS 460)*
Examines the role of gender in shaping the music that is created,
performed, taught, and listened to in representative cultures
of the world, including the West.
Courses are occasionally offered under Special Studies
(MUS 199), Seminar (MUS 407), Experimental Course (MUS 410). Such
courses do not fulfill general-education requirements.
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ENSEMBLES (complete
list)
Course numbers through 499 are for undergraduates; 500-, 600-,
and 700-level courses are for graduate students.
- East
European Folk Ensemble (MUS 390, 690)
- Collegium
Musicum (MUS 391, 691)
- Chamber Ensemble-Brass
Choir, Brass Ensemble, Celtic
Ensemble, Studio Guitar
Ensemble, Trombone
Ensemble, Tuba
Euphonium Ensemble, other ensembles as needed (MUS 394, 694)
- Band-Green
Garter Band, Oregon
Basketball Band, Oregon
Marching Band*, Oregon
Wind Ensemble, UO
Campus Band*, UO
Symphonic Band, Yellow
Garter Band (MUS 395, 695)
- Symphony
Orchestra, (MUS 396, 696), Campus
Orchestra (not offered 2009-2010)
- Chorus-Chamber
Choir, University
Gospel Choir*, University
Gospel Ensemble, Gospel
Singers, Concert
Choir*, University
Singers, Repertoire
Singers, Women's Choir (MUS 397, 697)
- Jazz
Laboratory Band III (MUJ 390, 690)
- Jazz
Laboratory Band II (MUJ 391, 691)
- Oregon
Jazz Ensemble (MUJ 392, 692)
- Small
Jazz Ensemble (MUJ 395, 695)
- Opera
Workshop (MUS 398, 698)
- Balinese
Gamelan (MUS 490/590)
- Javanese
Gamelan (MUS 408/508)
*no audition necessary
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PRIVATE AND GROUP LESSONS
Private lessons are available to nonmajors in all instruments and
voice on a space available basis. The following are group classes
that are available.
- Basic Performance Piano
(Class Piano) (MUP 100)
- Basic Performance Voice
(Class Voice) (MUP 101)
- Basic Performance Strings (MUP 102)
- Intermediate Guitar Skills (MUP 108)
- Begin Guitar I (MUP 120)
- Beg Guitar II (MUP 121)
- Blues Guitar I (MUP 127)
- Blues Guitar II (MUP 128)
- Special Studies Tabla Class (MUP 199)
- Special Studies Sax Group (MUP 199)
- Basic Guitar Theory (MUS 129)
- Funk Guitar (MUP 122)
- Performance Studies Beg Folk Harp (MUP 162/362)
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OPERA SURVEY MUS 353
“I have thoroughly enjoyed this course...I would recommend this class to anyone including non-music majors like myself.”
“Marian Smith is a super teacher... She has a very positive
attitude and is very approachable and always available. The
course is great.”
“I was truly enriched by this survey of opera course. ...This
was an excellent course taught by a professor whose love and
knowledge of opera was very evident.”
“Coming into this class, I really had no idea about opera
but now I do.... I liked everything in this class and the lectures
were particularly helpful.”
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